Ariel, the hero of d4, lived in my head for years and I knew what she could do. She could see into the future. It wasn’t until I began writing her story, however, that I realized how complicated the very idea of precognition is.
I’d already given serious thought to the pros and cons of a fixed future, and I’d thrown out the idea of a predestined universe. Over my adult life I’ve heard compelling arguments that in a universe ruled by cause and effect, the future is as immutable as the past. Perhaps it is. But as long as I’m writing the book, there are going to be surprises and free will in the story, and any bits of prescience will work on the assumption that the future is a probability curve. Guess you could say I can’t write stories any other way.
But it turns out that there are many more vexing questions to consider. How far into the future does she see? Why? How much does she understand about what she sees? Why doesn’t the whole process happen all the time and leave her overwhelmed and unable to function?
Read the rest of this post at Seeing the Future.