telling tales of doing the impossible

Posts tagged ‘blog tours’

Review: Hard Luck Girl

My Review:

In Hard Luck Girl, Topshee Johnston tells the story of a young prostitute who finds her drug-dealing pimp dead on page one. More importantly, he manages to keep the reader (or at least this reader) cheering for this unlikely hero as she deals with the body, the customers, the other girls, the rival dealers, the cops, the slimy hotel manager, the nosy cleaning lady and the real money behind the entire sordid mess. No small feat, Mr. Johnston. Well done.

I appreciated how this book contained enough description to make it seem as if I was there, riding on the ferry, or there, in the run-down lobby of the hotel, and yet it never bogged down. The initial characters were all believable and their actions made sense, giving the plot an urgency that felt like real life. Honestly, I had trouble putting it down.

The book stumbles when it nears the end, however. I don’t want to give anything away, so I’ll only say the major villains didn’t ring as true as the other characters, and their motivations remained murky to me even after the last page. Parts of the ending were confusing, and threads that mattered (to me at least) were left hanging.

Yet, it was a heck of ride up to that point.

Should You Buy Hard Luck Girl?

I recommend Hard Luck Girl to anyone who enjoys hard-boiled crime novels and to other mystery fans willing to be a bit morally flexible with their story’s hero. This book will also appeal to those who like novels about women finding inner strength they didn’t know they had, and to people who enjoy tales of the downtrodden triumphing over those with more advantages. That’s a pretty good market share, I think.

Check out the book on Amazon, Goodreads, Barnes and Noble, and Indigo/Chapters!

For more about this book, and the review tour this review was part of, see Hard Luck Girl.

 

Researching Drug Cartels and Illegal Border Crossings

Books need bad people. Bad people do bad things. But if you’re an author, and your bad people are doing things you don’t know much about, you have to do some research.

What poisons kill the quickest? How long does it take to die from a knife wound? How do you build a bomb?

I was researching the bomb thing for my book One of One, along with details about how well a commercial aircraft could withstand a blast, when I thought …. you know …. these internet searches could cause me some problems.

This is the second guest post in a series involving my asking other authors how apprehensive they are when they do the research to write about their bad guys’ behavior. In this case, I asked author Willard Thompson if researching drug cartels and illegal border crossings on the internet for his new book La Paloma caused him apprehension. Here is his fascinating answer:

Thanks, for asking one of the few pertinent questions of this VBT! Let me explain the story, it’s not exactly what you think, and it’s not exactly isn’t.

La Paloma is not a crime-heavy cartel story with lots of murders and bloody events. It is a story about Teresa Diaz facing the question of who she is, a daughter of Mexico’s proud history or a Latina trying to fit into American Culture? When the story opens, she is an AB540 scholarship student at UCLA, working for a degree in communications and dating a Caucasian boy.

When her father is deported in an ICE raid, Teri must go into Mexico to bring him home. She doesn’t have documentation, so it is a risk, but her family is falling apart and she feels compelled to go. Her journey into Mexico is like falling down a rabbit hole of mysterious events, but it also becomes a journey of self-realization that included a romance with the son of a cartel boss. In the end, many of her questions about her life are answered, some are left ambiguous and unanswered.

My interest, as it is in all my novels, is how a situation effects the people involved in it. In this case a 20-year-old Latina named Teresa Diaz. She is a young woman who has been brought up in many of the traditions of Mexico, living in a southern California community that is heavily Latino, trying to be an American girl. How can that possibly be good for her self-image?

I love Mexico. I’ve been there more than a dozen times, several on business. I know first-hand the beauty of the states of Michoacan and Guanajuato, and the country’s history. I spent 4 days working with the US Border Patrol as a journalist intercepting Mexican smugglers wading across the Rio Grande River from Juarez to El Paso. These were not dangerous men. They were middle age men trying to make a living to support their families.

I interviewed several of the smugglers we apprehended (that is a story for a different time because it was a cops and robbers comedy it you ever saw one) and one of them told me in Spanish, pointing at his running shoes that his daughters didn’t want to wear cheap shoes like he had on to school. They wanted Nikes and Adidas. That tells you a lot about the Mexican economy.

Some years back I became familiar with the fact that UCLA was giving free scholarships to undocumented aliens under a state law AB540. It led me to start thinking about the situation of a young Latina with no documentation trying to get an education in order to blend in to the American culture.

I didn’t do the trip with the Border Patrol to gather input for the novel, but it gave me all the input I needed when it came time to write it. This is not a gritty cartel crime story. In reality this is a coming of age story in which Teri must wrestle with and decide who she wants to be as an adult. In the next to last chapter she tells a new friend, “I just want to be proud of who I am.” The ending is ambiguous. Hopefully asking readers to think about what Teri will do; and maybe asking themselves what they would do.

More recently, our government has struggled with what to do about the DREAMers. The situation has been compounded by Congressional battle over immigration and building walls (we used to call then fences), and ICE raids that deport undocumented Mexicans, breaking up families. Finally, the situation with drug and crime cartels has come strongly into public awareness. So, all of this is great grist for a novelist.

Thanks for giving me the opportunity to write about my novel. Sure, it’s a suspense/romance with some gritty scenes but no cartel madness. I hope it might have some staying power in our current environment. Anything you can do to help that along I will greatly appreciate.

And I thank the author for such a well-thought-out and interesting response!

Review: R.I.P in Reykjavik

My Review

In R.I.P in Reykjavik, A.R. Kennedy has taken her idea of combining arm chair travel and cozy crime stories up a notch. This is a witty, fun and easy-to-read amateur sleuth novel that will once again have you turning the pages to cheer on its rookie crime solver. This time around, you’ll be enjoying the beauty and charm of Iceland while you do it.

Naomi acts more grown-up in this novel, and her previous amateur sleuthing in Africa has made her more competent at solving murders, too. It makes her a more likable sleuth. As a bonus, the reader gets new details about her dysfunctional family and I think this knowledge makes the whole series more appealing.

One of my favorite things about her writing is the ongoing humor. Enough sly wit was scattered throughout the story to keep me smiling, but I was laughing out loud near the end as Naomi made a video for her sister of the coming and goings in the hotel hallway. It’s worth reading the book just for that scene.

Deep twists and unexpected turns regarding the murder aren’t Kennedy’s MO, but once again we get an adequately complex cast of suspects, and a satisfying ending. I’ll take that any day.

Should You Buy Rock R.I.P in Reykjavik?

I recommend this book to anyone who likes cozy mysteries, amateur sleuth novels or travel.

Buy R.I.P in Reykjavik on Amazon or find it at Books2read.

For more about this book, and the review tour this review was part of, see R.I.P in Reykjavik.

(Check out my review of the author’s previous book Sleuth on Safari.)

 

The Difficulties of Writing About Time Travel

These is no tougher logical problem for a speculative fiction writer than to send characters forward, or backward through time.

I recently featured author Richard Hacker and his fantasy thriller Vengeance of Grimbald on one of my other blogs and I asked him to share his thoughts about the difficulties of writing about time travel. Here is his response:

VENGEANCE OF GRIMBALD, the second book in the Alchimeia series is a fantasy sci-fi novel with a unique take on time travel and alternate time continuums. Some writers have used the supernatural to transport characters through time, like Scrooge’s encounters with the ghosts of Christmas past, present, and future, in A CHRISTMAS CAROL. Another method allowing for time travel, especially in science fiction, involves space and time warps–usually a ship passing through a warp in the space time continuum or characters passing through portals from one time to the next. Stephen King employs the portal in 11.22.63. But the most common method to move characters through time requires a mechanism or machine. From H.G. Wells, THE TIME MACHINE to the much-loved DOCTOR WHO, these stories use some kind of machine to transport from one time to the next.

The Alchimeia series uses alchemy, a precursor to empirical chemistry, as the mechanism for movement through time. Combining an ink and an alloy in the nib, a fountain pen becomes the catalyst as inkers write themselves into past lives, leaving their bodies in the present. Unlike conventional time travel scenarios, the characters leave their bodies in the present—only their consciousness moves through time to inhabit a host. However, once an Inker is in a host’s body, time is not on their side. They are in danger of losing themselves to the mind of their host, becoming psychotic and then melding completely with the host, lost in time forever. In order to avoid such a fate, upon completion of the mission, they must die in order to break the link and return home.

Die Back allows me to blend genres of fantasy, science fiction, historical, and speculative fiction to tell a fast-paced, action filled story of characters struggling to save the time continuum and reality itself. As you might imagine, this mechanism for moving back through time also has its challenges. In a conventional time travel story, a character travels back in time. It’s fairly straight-forward keeping the character distinct from others in the scene. In the Alchimeia series, since the characters leave their bodies in the present and only their conscious minds go into the past, the most significant challenge is having a physical character, such as Franciso Pissaro but with the conscious mind of Addison Shaw. Rather than visiting the past as a foreign entity, the character becomes the past. You’ll notice the inking scenes shift to first person which I’ve done to make a distinction with the present and to create an immediacy. The reader experiences the inking scenes within the perspective of the inker.

I think technically one of the more difficult scenes involved a German soldier in a fox hole at the Battle of the Bulge. There were essentially two characters inside the mind of a third character. The German soldier, Grimbald, and Addision’s mother, Rebecca, who has been held captive by Grimbald. The dialogue needed to distinguish between the internal voices of Grimbald and Rebecca in the German soldiers head, as well as dialogue with the American soldier external to them. Here’s a little excerpt to give you a sense of what I’m talking about. We begin in Rebecca’s perspective.

I look to the boy soldier and our guard, but of course, they cannot hear our thoughts. “How could you force me to act against my son, Grimbald?” His real name is Cuthbert Grimbald, using the alias Kairos to keep him clear of League Inkers. “You promised if I helped you–”

I promised I wouldn’t take his consciousness. For all the good it did me.

“I could have killed him. My own son. Please, I’ll do anything you want, but please don’t ask me to hurt Addison.”

You sabotage me at every turn, Rebecca. If I didn’t need your knowledge of the League I would scatter your consciousness across time. By God, I’ll do it anyway!

“No! Please. I’m sorry. It’s just that when I saw him…it’s been so long. I–”

Think about it, Rebecca. Didn’t you see his eyes when he squeezed the trigger? The boy, knowing you were in Maya, blew out your brains! Trust me, you no longer hold a place in his heart.

“No! He still loves me, uh…. “

My mind…compresses…a fist closing around me to darkness.

“Please…stop.”

You continue to defy me?

“Please.”

I cannot breathe, I cannot think.

“Please…no…”

My mind goes to some dark corner. A desolate loneliness enfolds me. All senses closed off, no space, no time, no sensation. Nothing. Nothing. Noth…

He releases me. The world expands from a small, black hole, back to the Ardenne Forest. The boy still sits beside me in an almost fetal position. The icy cold air smells of pine and death.

For the full post, which was part of a blog tour sponsored by Goddess Fish, check out Vengeance of Grimbald.

Review: Sleuth on Safari

My Review:

In Sleuth on Safari, A.R. Kennedy has written a fun and easy-to-read amateur sleuth novel that will have you turning the pages to cheer on its rookie crime solver, all while enjoying the excitement of a safari.

I’ve been lucky enough to go on a trip similar to the one in the book* (without the murder, of course) and I can assure you Kennedy does a fine job of capturing the wild beauty of nature in sub-Sahara Africa as well as some of the less story-book aspects of such a trip.

She does it while presenting a likable sleuth, an adequately complex cast of suspects, and a satisfying ending.

My most significant complaints all occurred early on, when the two sisters in questions seemed more like they were squabbling preteens, not young women in their twenties. As other characters were introduced they came across as stereotypes. However, Kennedy was just getting started. Most of the safari guests became more complex as the trip went on, and the protagonist Naomi and her sister began to act their age after the first few chapters.

One the things I enjoyed most was the ongoing humor regarding the lack of internet access. Her description of other little things like the ubiquitous safari-themed decor, lavish meals and five a.m. game rides were all right on the mark, too. And anyone who has ever spent a night alone in the wilderness (yes, I have) will love reading about Naomi’s night alone in the tree house.

I recommend this book to those who like cozy mysteries, and to all who enjoy travel, whether they’ve been to Africa or not. This novel is a fine way to take a memorable armchair trip.

For more about this book, and the review tour this review was part of, see Sleuth on Safari.

Creating Likeable Deadly Female Protagonists

Author C.H. Lyn wrote the following as part of a blog tour for her latest book Lacey Goes to Tokyo. I enjoyed it enough to want to share it here with you.

Creating Likeable Deadly Female Protagonists

by C.H. Lyn

The obvious answer for how to create a likeable deadly female protagonist, is to make sure a character is three-dimensional. Too often we are handed female characters who are clearly male characters with a “girl” name. Or, we are given people who are only focused on the mission, the revenge, or the murder. Lacey and Miss Belle have lives. They have friends, passions, and a family; that’s what drives their characters, sometimes to kill.

Creating these two women was incredibly entertaining for a couple reasons. They are such different women, it made writing back and forth between the two of them challenging, but it gave me the relief of never having a dull moment. It also made those pesky writers-block moments a little easier to handle. When one character stopped talking to me, I could often figure out a way to work on the other character’s scenes.

With Lacey we see right away that she is a calm sort of person. She’s the friend who listens when you vent about life, but never seems to have anything worth venting about to you. In fact, until we see her truly angry, it’s hard to imagine she could be anything but the polite young lady she pretends to be. I think this helps the reader relate to her, probably more than Miss Belle. She’s the girl next door, the friendly ear, the relaxing person we all enjoy spending time with. She’s also cunning, athletic, multi-lingual, and more than capable of handling herself in rough situations.

Miss Belle is another story. She curses, throws things, and from the start we know she is a killer. I think her likeability comes from her interactions with the other characters. As a stand-alone, she would be too similar to the plethora of standoffish, angry protagonists who take justice into their own hands. Instead, she tries to do the right thing and finds herself painted into a corner. Miss Belle is harsh throughout the story, and will continue to be harsh as the series progresses. She isn’t necessarily supposed to be liked by every reader, not entirely anyway. But if the reader can see how much she struggles with the deaths around her, namely the ones she is directly responsible for, they will be able to understand her choices, even if they don’t agree with them.

These women each have their own motives, their own histories, and their own voices. Their realness is what makes them likeable. They aren’t always cool under pressure, because no one is. They don’t always make the right decisions, because no one does. And they suffer the consequences of their decisions, because everyone does.

Want to know more about the novel Lacey Goes to Tokyo? Check out the original tour at Lacey Goes to Tokyo.

I Know When You’re Going To Die

My Review:

In the cleverly titled I know When You’re Going to Die, Michael J Bowler begins with a fascinating premise and delivers a taut and unpredictable tale. I raced through it.

What I liked best:

  1. The concept of needing to solve a murder before it happens is an interesting one. I’ve seen it elsewhere in science fiction, but the idea of having a “superpower” to know when others will die is unique, as far as I know, and the whole idea of solving a crime to prevent it is well executed here.
  2. The pacing is perfect. The suspense builds throughout the story and Bowler keeps the reader turning the pages without overloading or exhausting them.
  3. Leo, Bowler’s clinically shy good-guy protagonist, is a hero for all. Seriously, if you can’t cheer this guy on, consider seeking professional help.
  4. It’s a genre crime novel, so the reader knows the mystery will be solved just in time, but the ending is sufficiently convoluted and unexpected. It feels worth the wait.
  5. The underlying messages of friendship, tolerance and kindness are a refreshing bonus.

What I liked least:

I enjoyed this book a lot, and I think my minor issues with it stem from it being a young adult novel, one in which all of the protagonists are high school students. So, my recommendation comes with the caveat that the reader should not expect the story to go outside the scope of a young adult novel.

  1. I felt too many of the adult characters were not well-fleshed out. For example, the story included not one, but three moms who cared little about their teenage children. Hard for me to believe, but maybe not so hard for a teen-aged reader.
  2. The complicated relationship between close same-gender friends during the teen years and early sexual attraction and exploration is central to the story, and yet the author shies away from resolving issues. Again, I suspect the young age of the intended audience is the reason, so I gave him a pass on this one.
  3. The premise behind the plot brings up major philosophical questions about predetermination, death and even cause and effect. I’d have loved to see some of this stuff tackled … but again…..

I recommend this book to anyone who enjoys a good crime story, or a good superhero story. You absolutely have to read it if you enjoy both.

For more about this book, and the review tour this review was part of, see I Know When You’re Going To Die.

 

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