The Code is based on the slick premise that two fictitious characters are allegedly telling the “true story” of how each of them created a celebrity.
Although I struggled with the initial concept of an unknown professor appearing sexy for no particular reason when seen on film, I squelched my inner cynic and read on. I’m glad I did as there is much I appreciated about this novel. Compelling writing. Exquisite details about the world of celebrities and those who make them. And most impressive of all, an excellent if unforgiving look at our culture.
One of many great quotes:
“Why do your powerful, rich friends want to know me? They already have everything.”
“They have everything but they never have enough. They’re addicted to novelty and the fulfillment of new dreams. You’re the new flavor.”
I also particularly liked Jessica, Albert’s pretension-adverse wife. She plays a fine foil to his growing immersion in his new life and her drab academic research into André Breton’s novel Nadja makes for an almost eerie comparison to Albert’s growing status as a star.
There were things I liked less, however. I hoped the story would really be told through the eyes of the agents, at least mostly, but it isn’t even close. Although Albert’s agent Jack is involved from the beginning of his tale, most of the telling is done from Albert’s point of view, often involving his thoughts or scenes Jack knows nothing about. Memphis, on the other hand, doesn’t even meet his agent Marcellus Moses till the second half of the book, making the premise even more flimsy with him. I suppose the reader is supposed to believe these two agents somehow know everything, including their creation’s inner monologues, but my ability to suspend disbelief wouldn’t stretch that far.
I found the brutality of the prison scenes difficult to read. I didn’t expect them and might have passed on the book altogether if I’d known. While I agree some of it was necessary to the story, I think even those with more of a stomach for such things would probably have appreciated it if the author had dialed it back a bit.
Like other novels with fascinating premises, the story is difficult to conclude and the only real option is for it to end as a tragedy. The author finds an interesting and unexpected way to do this, though, and it is one that ties everything together and states her thesis one more time. It works.
For more about this book, and the blog tour this review was part of, see The Code.