telling tales of doing the impossible

Posts tagged ‘novels’

Review: A Shot of Murder

I’m a longtime fan of crime novels and continue to be amazed at the creative ways authors find to put their protagonists into murder investigations. One of the most compelling has got to be having a family member involved and author Brenda Gayle plays this approach like a fine violin.

I appreciate a novel of any genre that also manages to capture a piece of history, and A Shot of Murder does just that with its interesting view of the soldiers of WWII returning home. Both the soldiers’ trauma and the required adjustments of the women who’ve held down the fort in their absence are examined with sensitivity.

And, I’m also a sucker for stories involving women who just want a chance to use their talents and pursue their dreams. So clearly A Shot of Murder was tailor-made for me.

All in all, it is an enjoyable and easy to read book. The writing is smooth and the pace is quick. Too often I get annoyed at amateur sleuths who come across as annoying busybodies but Charley is both likable and competent as a trained investigative reporter. I enjoyed walking in her shoes and I won’t hesitate to read more books in this series.

For more about this book, and the blog tour this review was part of, see A Shot of Murder.

I chose this book to review because crime novels are my other favorite genre (along with speculative fiction of all sorts.) Someday I hope to write a crime novel.

Review: The Foes Between Us

The Foes Between Us is a delightful book with a fine mix of history and fantasy. Much of it revolves around an outdoor-loving young English woman who is poorly-suited to the constraints of her society. The author has added a few twists to the restrictions placed on women in the 1840’s, including a brilliant device wherein women are literally sewn into their dresses and bloomers to keep them chaste.

The well-drawn characters in this story pull in the reader while an engaging plot that is part treasure hunt and part murder mystery keeps the pages turning. Eventually, a wizard/victim of religious intolerance from three-hundred years earlier joins the story, providing extra dollops of magic to what has only been hinted at before. Much of this tale concerns the social injustices of both time periods, but more than enough parallels to our own time keep the observations relevant.

Author Robison has a far-better-than-average way with words. Deft bits of description pepper sentences driven by high-energy verbs. The story is told in a first-person present-tense voice that adds a sense of urgency to each sentence. I liked the pace at which the plot moves, but have to admit at times her way of telling it wore me out. The occasional inner monologue provides humor and I appreciated those little breaks from the pounding activity.

I recommend this book to those who like historical fiction and to those who enjoy female protagonists with a mind of their own, ones who don’t spend the entire novel lusting after some man. I recommend it to those who enjoy reading about magic, or those who enjoy fantasy.  In fact, I recommend this novel to people who simply enjoy a good book.

If more than one of these applies to you, you need to check out this story.

I reviewed this book because I enjoy writing and reading historical fantasy. For more about this book, and the blog tour this review was part of, see The Foes Between Us

 

 

How do the people in your life influence the characters in your stories?

I’m always fascinated by how much other authors draw on the people they are close to as they create their characters. Recently I got the chance to ask Joanne Guidoccio, author of the women’s fiction novel No More Secrets, what her take was on this issue.

Bits and Pieces of Characters

Having lived and taught in different cities throughout the province of Ontario, I have felt free to “borrow” characteristics from friends, former colleagues, and students to create composite characters in my novels.

That was the modus operandi for the first five novels I wrote: Between Land and Sea, The Coming of Arabella, A Season for Killing Blondes, Too Many Women in the Room, and A Different Kind of Reunion.

While writing No More Secrets, I followed a slightly different path.

Angelica Delfino, the protagonist, is also a composite character. But this time, I borrowed from the Italian women of my mother’s generation. And, yes, I did include bits of my mother’s life. Before she died, Mama read an early draft and commented, “I can see myself here, as well as…” and then she mentioned several relatives and close friends.

The three nieces—Velia, Nora, and Teresa—belong to Generation Y. While sketching their characters, I considered former students but also thought back to my own experiences.

Growing up, I was surrounded by several friends and relatives who resembled Velia, the quintessential good Italian girl who followed the script. While I demonstrated some of her self-discipline and motivation for academic achievement, I didn’t marry at an early age, nor did I choose to stay home and raise a family.

Nora, Velia’s polar opposite, is considered the black sheep of the clan. Impulsive and carefree (at times reckless), Nora has taken many risks in her personal and work lives. Her disastrous marriage barely lasted one year. Often described as a Career ADDer, she experimented with several careers before finding her niche as an interior designer. In my late twenties and early thirties, I did go through a brief period of job-hopping.

Like Teresa, the youngest niece, I settled in Guelph, a mid-sized city in south-central Ontario. We are both introverts and teachers at Catholic school boards, but the resemblance ends there. A theology department head, Teresa is more spiritually inclined. Early in the novel, she speaks wistfully about her missionary work–something I admire but could never do.

Bellastrega, aka Lynn Miller, started off as a minor character. Initially, I intended to have Angelica’s psychic companion appear briefly in the first chapter. All that changed after she started invading my dreams. She ended up with her own POV and full control of the epilogue. Her character was inspired by a psychic in Northern Ontario. While I don’t possess psychic abilities, I do share a common interest with Bellastrega. When I retired twelve years ago, I made wellness a priority in my life. Many of Bellastrega’s comments and suggestions could easily have come from me.

For the full post, which was part of a blog tour sponsored by Goddess Fish, check out No More Secrets.

Review: A Very Witchy Yuletide

I chose to read A Very Witchy Yuletide because it offered me a chance to learn about modern pagan celebrations and the chance to experience the point of view of a legally blind main character. These two potential windows into other worlds overrode my promise to stop reviewing romance novels because I find them too predictable.

First: the paganism. I’m fascinated by any religion I know little about and I thank the author for her excellent job of introducing the beliefs, customs, and problems of pagans in 2020. The first two were cleverly interwoven into the plot, never leaving me feeling as if information had been dumped upon me. The third, involving persecution of pagans in today’s society, was done with gentleness, showing the tolerant as well as the extremists from mainstream society. For those who claim to be open-minded, or at least fans of freedom of religion, this book is food for thought about the deep-seated biases that still exist against older religions.

Second: the visually impaired main character. The author says she lives with much the same situation as her protagonist, so clearly she writes from a well-informed and a sympathetic point of view. I, however, know far less and was confused when the main character could read a menu by holding it very close, or pick out the shape of a clock hanging over a door. Obviously I know little about the range of impairment included in legal blindness. So although I was inspired by Evergreen overcoming her physical challenges, I was also surprised by how little her situation seemed to impact her or her story. Perhaps that is the point?

Third: the romance. So, most romance novels make me want to scream. Not frustrated obscenities or anything, but something very specific. “Why don’t you two people just talk to each other!” In fairness, everything I’ve ever read by Shakespeare makes me want to scream the same thing, so this is not a specific knock against romance novels.

However, this book didn’t have that effect on me. Why not? It is the classic story of two people attracted to each other who fail to communicate until the last several pages. But here it at least makes some sense. They’ve both finished college and haven’t seen each other for four years, since back when they were shy and confused high school students. Upon meeting, they revert back to that OMG-he-can’t-possibly-like-me frame of mind that is the rightful domain of insecure kids. (Are there any other kind?) They work through this and find the grown-ups they’ve become. Kind of simple, but it worked for me and I liked their story. I mean, nobody should be screaming at kids for feeling insecure, right?

So, this was all around a good read: informative, interesting, and satisfying.

About the Author

Lieber is an urban fantasy author with a wanderlust that would make a butterfly envious. When she isn’t planning her next physical adventure, she’s recklessly jumping from one fictional world to another. Her love of reading led her to earn a Bachelor’s in English from Wright State University.

Beyond her skeptic and slightly pessimistic mind, Lieber wants to believe. She has been many places—from Canada to England, France to Italy, Germany to Russia—believing that a better world comes from putting a face on “other.” She is a romantic idealist at heart, always fighting to keep her feet on the ground and her head in the clouds.

Lieber lives in Wisconsin with her husband (John) and cats (Yin and Nox).

For more about this book, and the blog tour this review was part of, see A Very Witchy Yuletide.

Review: Georgian Romance Revolt

Georgian Romance Revolt

This a funny book. It’s funny in the sense of making you laugh out loud and it’s funny in the sense of being strange and hard to describe. I’ll start with the first.

Georgian romance novels are ripe for satire and author Lucinda Elliot does a fine job taking aim at all the easy targets like handsome heroes with perfect teeth and some of the more difficult ones like chaperones, forced seduction, and social inequities. She tells her story through the eyes of Elaine, a modern, slightly futuristic woman inhabiting the head of a romance novel heroine. Elaine’s take on this partially-sanitized fictional world provides another layer of humor.

But having two women living inside of one body, often fighting for control of it, is also where the story gets odd. Elaine is in eighteenth-century England by way of a virtual reality entertainment system that malfunctions, adding a sci-fi help-I’m-trapped-in-a-video-game subplot. Because even the best of satire is only funny for so long, I began to enjoy the get-me-out-of-here subplot more than the Georgian-romance-gone-wrong story.

Then it starts to get weird. Without giving away too much I’ll just say the 1960’s author of the original novel gets involved along with Stonehenge, reality, and maybe multiple dimensions. Then Elaine’s own personal life enters the scene as well.

Balancing all this is quite a feat. I think Elliot pulls it off but by the end, I’d have preferred a good bit less of the Georgian romance and a more thorough resolution of everything else.

The author says in her bio that she loves a good laugh. She certainly provided me with several and for that I am thankful. I recommend this book to anyone who likes reading something different and who enjoys satire.

 About the Author

Lucinda Elliot, four times winner of the BRAG Medallion for outstanding self-published fiction, was born in Amersham, Buckinghamshire. When she was growing up, her family lived in various large, isolated old houses in various parts of the UK as they used to renovate such places in the days before it became fashionable. She lived for many years in London and now lives in Mid Wales with her family.  She loves a laugh above anything.

 

For more about this book, and the blog tour this review was part of, see Georgian Romance Revolt.

Fly Twice Backward is on my TBR pile

The premise of Fly Twice Backward by David S. McCracken fascinates me, and I’m looking forward to reading all of it. I’d hoped to do so for a recent review tour but frankly it’s daunting length (723 pages) put a kink in those plans. However, I spent enough time with it to make some observations.

  1. I started the book and thoroughly enjoyed the beginning. The author does a credible job of describing an incredible event — a man of today waking up in the 1950s to find himself the child he once was.
  2. McCracken tries a lot of ambitious things in this novel, and one is providing links to songs and other media intended to enhance his story. It’s a clever idea! I know because I tried it in 2012, in my first novel called x0 (and later renamed One of One)* and I thought it was brilliant at the time. The wave of the future. My own experience was that some readers loved it, some found it a real distraction, and most ignored it. Perhaps I chose my links poorly, but in the end, it took far too much effort to maintain them and I ended up rewriting the book (and four others) removing links entirely. I wish author McCracken a better experience with this idea!
  3. I skimmed through much of the long middle of this book. It appears to be a complicated but basically well-written story with a lot of action. Subdivided into decades, I zipped through the ’60s, ’70s, ’80s, ’90s, and ’00s.
  4. I also looked at some of the reviews, because I always do that, and I saw some heavy criticism for the author’s inclusion of his personal political views. There is no question he has done that, but so do many if not most science fiction authors. From Ayn Rand’s Atlas Shrugged on through Robert Heinlein’s The Moon is  Harsh Mistress up to Orson Scott Card’s Ender’s War, this genre has a long history of swaying hearts and minds, and not always in the direction I’d like to see them swayed. As a left-leaning independent* I thought the counterbalance McCracken offers to this legacy was a refreshing change of pace.
  5. I skipped ahead and read the end. I hardly ever do that, but so often such ambitious novels struggle to tie everything together and I was curious. No, I won’t give anything away, but only say the end was a frantic, action-filled sequence told from several points of view. It was fascinating to read and appeared to tie up several storylines nicely. I’ll have to read the whole thing, of course, to really know how well it does, but after my quick perusal, I’m looking forward to this.

*I wouldn’t normally talk about myself in a review, but lucky for me this isn’t really a review.

About the book

You wake back in early adolescence, adult memories intact, including ones that could make you very wealthy now. Your birth family is here, alive again, but your later families are gone, perhaps forever. What has happened, what should you do about coming problems like violence, ignorance, pollution, and global warming? You realize one key connects most, the fundamentalist strains of all the major religions, disdaining science, equality, and social welfare. You see that there are some things you can change, some you can’t, and one you don’t dare to.

Fellow idealists help you spend your growing fortune well–such as an artistic Zoroastrian prince in the Iranian oil industry, a rising officer in the Soviet army working to find a way to destroy his corrupt government, a Bahai woman struggling against Islamic brutality, a Peruvian leader working for a liberal future, and a snake-handling Christian minister, grappling with doubts, sexuality, and destiny. They are supported by an ally who develops essential psychic powers. The group faces familiar-looking corrupt politicians, religious leaders, and corporate czars, but there is an ancient force in the background, promoting greed, violence, hate, and fear.

This exciting, emotional, thoughtful, humorous, and even romantic sci-fi novel weaves progressivism, music, movies, and literature into a struggle spanning the globe. Vivid characters propel the action back up through an alternative history toward an uncertain destination. Experience the unique story and its novel telling.

For the full post, which was part of a blog tour sponsored by Goddess Fish, check out Fly Twice Backward.

Review: Larceny at the Library

In Larceny at the Library,  Colleen J. Shogan has written an enjoyable cozy mystery enhanced with an insider’s knowledge of DC politics and a wealth of fun information about the Library of Congress and the world of historical artifacts.

Her amateur sleuth, Congressional chief of staff Kit Marshall, is diligent and methodical, and she delivers an admirable solution to the crime, just in time. I liked Shogan’s supporting characters and felt she introduced enough about each to make them three dimensional without getting bogged down in extraneous plots. On the whole, the story works well on an intellectual level.

I wish I’d read the previous novels, as I’m guessing author Shogan covered basics I missed. I needed to know more about Kit Marshall in order to really like her. I kept wondering what she was doing solving murders. Worse yet, when characters from previous stories showed up, I found their cameo appearances frustrating. I have a feeling this particular book works better on an emotional level if the reader is already invested in the main character and is happy to see people from her past.

Every book stumbles a bit somewhere: for this novel I’d say it could use a little more zing. I don’t want car chases and ticking bombs in my cozy mysteries, but less mundane food descriptions, fewer extraneous references to pop culture, and a lot less dialog that boils down to people introducing themselves to each other would have allowed this basically good story to pack more punch.

As it is, it’s a fun read and I’d like to read more by this author. I do recommend this book to all cozy mystery fans, and particularly to those who are also history buffs or are fascinated by watching the DC scene.

About the Author

Colleen J. Shogan has been reading mysteries since the age of six. A political scientist by training, Colleen has taught American politics at several universities and previously worked on Capitol Hill as a legislative staffer in the United States Senate and as a senior executive at the Library of Congress. She is currently the Senior Vice President of the White House Historical Association.

Colleen is a member of Sisters in Crime. “Stabbing in the Senate” was awarded the Next Generation Indie prize for Best Mystery in 2016. “Homicide in the House” was a 2017 finalist for the RONE Award for Best Mystery. “Calamity at the Continental Club” was a 2018 finalist in the “best cozy mystery” at Killer Nashville. She lives in Arlington, Virginia with her husband Rob and their beagle mutt Conan.

For more about this book, and the blog tour this review was part of, see Larceny at the Library.

So, which child do you like best?

In my own experience, my favorite of my own books is always the one I’m writing now. Having read and enjoyed Olga Werby’s book Harvest (see my review) I was curious how she felt about it in comparison to her latest book Twin Time.  So, I asked her which of these two books of hers was more fun to write.

Yes, I know this is a little bit like asking someone which of their children they like best. “Both” is a good answer. But to author Werby’s credit, she had an interesting and well-thought-out response.

“Harvest” and “Twin Time” couldn’t be more different! One is a sci-fi thriller; the other is a fantastical, historical romance. I’ve spent years researching the science for “Harvest”—the scientific details in that story are all true. But the same is true for “Twin Time”. “Twin Time” is partly based on my grandmother’s childhood. She grew up in post-revolutionary Russia, in a rural village where the political change was slow to arrive. When it finally did, her family had to run in the middle of the night to stay alive. They lived through unspeakable horrors and didn’t survive unscathed. Most died. When and where we are born shapes our lives. When you read “Twin Time”, you will get to experience what it was like to live in another time and place with a different value system and different culture.

I came to America as a refugee; I grew up in Russia and those experiences shaped my life. To write about what it feels like to be there, even if at a different time and place than what I knew, was transformative. I loved doing the research, looking at illustrations and old photographs. It made me remember the fairytales of my youth.

Emotionally, “Twin Time” was more powerful for me, while “Harvest” was more intellectually stimulating. Writing these two books was a very different experience. But I wouldn’t swap my life for the life of my heroines in either of these novels—they had it rough. Spending a few years dreaming the lives of these women is very different from living those lives. I have to say, I’m a girl who likes first-class bathroom accommodations!

About Olga Werby:

Olga Werby, Ed.D., has a Doctorate from U.C. Berkeley with a focus on designing online learning experiences. She has a Master’s degree from U.C. Berkeley in Education of Math, Science, and Technology. She has been creating computer-based projects since 1981 with organizations such as NASA (where she worked on the Pioneer Venus project), Addison-Wesley, and the Princeton Review. Olga has a B.A. degree in Mathematics and Astrophysics from Columbia University. She became an accidental science fiction indie writer about a decade ago, with her first book, “Suddenly Paris,” which was based on then fairly novel idea of virtual universes. Her next story, “The FATOFF Conspiracy,” was a horror story about fat, government bureaucracy, and body image. She writes about characters that rarely get represented in science fiction stories — homeless kids, refugees, handicapped, autistic individuals — the social underdogs of our world.

Her stories are based in real science, which is admittedly stretched to the very limit of possible. She has published almost a dozen fiction books to date and has won many awards for her writings. Her short fiction has been featured in several issues of “Alien Dimensions Magazine,” “600 second saga,” “Graveyard Girls,” “Kyanite Press’ Fables and Fairy Tales,” “The Carmen Online Theater Group’s Chronicles of Terror,” with many more stories freely available on her blog, Interfaces.com.

For the full post, which was part of a blog tour sponsored by Goddess Fish, check out Twin Time.

Review: The Murderous Macaron

The Murderous Macaron is a fun read, sure to please fans of cozy mysteries and lovers of well-meaning and sometimes bumbling amateur sleuths. (I do happen to be one such fan.) Julie’s bakery is the focal point of this gentle who-done-it, and there is just enough of France woven into the story to appeal to lovers of travel as well.

What I liked best: Simply put, this is an enjoyable book. I appreciate that it was an easy read, well-paced and well written. The somewhat complex solutions to the case were believable yet not obvious, providing a satisfying ending.

My favorite thing was Drew’s stellar cast of secondary characters. Grandma is great. I do love feisty old women and she delivers. Sister Flo, the artist, is equally fun, and I could have done with more of the geeky sous chef as well. I’m not a huge dog fan, but I even enjoyed Lady, the sleuth dog who joins the team.

What I liked least: There is a fascinating backstory here, dribbled out in small pieces and never fully dealt with. It is difficult to reconcile the light tone of the novel with an unexplained traumatic family death, an estranged twin with unusual powers, and Julie’s issues with both of the above. Yet, it all comes up often enough to make it hard to ignore.

The reader wants answers. I suppose the author intends to weave more explanations into future novels, but as regarded these issues, I felt cheated at the end. Plus, the only part receiving a real explanation (why Julie doesn’t like her twin) is just odd.

However, Drew’s story was charming enough for me to put that frustration aside, along with my current irritation with the gluten-free world, brought on by a husband who’s decided to go gluten-free for no real reason, forcing me to abandon half of my favorite recipes.  That’s hardly Ana T. Drew’ fault, and I resolved early on not to hold Julie’s gluten-free bakery against her.

So, I’d be happy to read more books in this series and I recommend this book to anyone who enjoys a good mystery novel.

About the Author: Ana T. Drew is the evil mastermind behind the recent series of murders in the fictional French town of Beldoc. When she is not writing cozy mysteries or doing mom-and-wife things, she can be found watching “The Rookie” to help her get over “Castle”. She lives in Paris but her heart is in Provence.

For more about this book, and the Goddess Fish review tour this review was part of, see The Murderous Macaron.

 

How Happy is Happy Enough?

So, I’m personally struggling with the question of how happy a happily-ever-after ending has to be to satisfy readers. I suppose my even asking the question makes it clear I think there is some wiggle room, or there ought to be.

I recently featured Doorway to Scorn, a fantasy novel by Dimitrius Jones, on one of my other blogs. I was delighted to get the chance to ask this author what he thought about the infamous HEA ending. I really liked his response.

As someone who’s read his fair share of romance novels, I get it. We love to ship people and see those ships weather a storyline’s challenges and persevere. We want to be rewarded for instilling hope into our favorite pairing with an ending that is adorably predictable.

We escape into these stories because we’re not sure if true love actually exists sometimes. It’s hard to reconcile a belief in soulmates when we can log onto social media and watch a divorce happen in real time at almost any moment. That’s why it’s so tantalizing to find a romance novel that will soothe our concerns with the promise of a happy ending for the featured couple, even if there’s much ground to cover beforehand.

I’m just not here for it, personally. I feel like it’s overdone.

I won’t go so far as to say I prefer depressing, tragic endings and think they should completely replace happy endings. However, I can appreciate a bittersweet ending where not every character gets the exact resolution we think they should. Real life doesn’t work either way. You don’t always get the ending to a relationship that you deserve, but that doesn’t mean you can’t make a beautiful story out of it. It doesn’t mean there isn’t art to be found in a non-happy ending.

I think we could benefit from reading about relationship stories that we can better relate to versus stories where we idealize the couple. Some may say it’s boring, but I think it’s a challenge. As a writer, I’m always seeking new ways to express real life in a fictitious setting. What better way to expand my creative bandwidth than challenging myself to craft a great story without relying on tropes?

I’m not saying there shouldn’t be any more happy endings. I just believe we shouldn’t fear realistic ones that don’t always make us feel fuzzy inside. It’s okay. There’s still a story there.

For the full post, which was part of a blog tour sponsored by Goddess Fish, check out Doorway to Scorn.

Predicting Pandemics

It’s hard for a science fiction writer not to be taken aback by the unexpected events of 2020. Given that, I asked author Melissa Riddell to share her thoughts on the difficulties of writing science fiction that occurs in the near future.

Here is what she had to say:

When I wrote The Descendant last year, I had no idea we were going to have our own viral outbreak in the real world. Even though my book’s apocalypse starts with an electromagnetic pulse wiping out all electronics and electricity, it also throws in a deadly virus killing most of humanity. With The Descendant, though, Tilly and Jareth’s romance and character development is at the heart of the story, so the virus takes a backseat to the true narrative.

There have been many apocalyptic books written where a virus is the driver to end times, such as Stephen King’s The Stand, and most readers (me included) gobble them up because we feel safe. We enjoy imagining what it would be like to survive the chaos—from the comfort of our favorite reading chair with our favorite beverage at our side.

The only true danger after reading these apocalyptic novels was developing a sniffle during the reading. We might’ve rushed to the clinic and explained what Mr. King called this type of sickness. “Oh, sweet Jesus, I think I’ve got Captain Trips.”

Calmly, the doctor informed me—uh, I mean those readers—they were suffering from allergic rhinitis, nothing more. He might’ve shaken his head and walked away, probably adding the patient to his psychosomatic list. And he was right—a little loratadine or cetirizine cleared Captain Trips right up. I digress, though.

Enter 2020 and COVID-19. Now that the world has had a tiny taste of living through a real pandemic, some readers want no reminders of what’s going on. Their whole purpose of reading a book is to escape reality. This poses problems for this type of near-future sci-fi and kills the “joy” factor.

On the flip side of that coin, the other crowd loves it, because they can relate to the book’s characters in a much more intimate way. Heck, they might even read it again to ensure they didn’t miss any tips on how to survive the virus.

Any writer trying to “cash in” on the current pandemic is probably going to find their book in one of these two crowds—those who love it because of what we’re living through, and those who detest it due to the current situation. My advice? Write your story. Even if it’s not popular right now, every genre experiences fluctuations in popularity, so who knows? Maybe a few years down the road, when we hopefully have COVID-19 under control in our past, those who passed over the book might be willing to give it a try.

In general, without the viral threat we’re facing, I think the difficulty in writing near-future sci-fi technology is in the technicality of the world or gadgets. If the story’s setting or tech is based on proposed developments, say in 10-30 years, then it’s imperative the writer does his or her research. Why? Because the technology isn’t that far away, and the author must prove to the reader they know what they’re writing about. Imagine getting it all wrong, and in a few years, the book is outdated and unbelievable. That’s not a good thing for the writer—or the reader.

In my opinion, it’s much easier to write science fiction for the far-off future or an advanced race, because I can make up stuff that can’t be disproven so easily. As long as I stick to fundamental laws of physics and biology (as we know it), then I can create the “fiction” part of science fiction and hopefully, the reader will happily come along for the ride.

About Melissa Riddell

Melissa Riddell is from a small, West Texas town in which she still lives with her husband. Her writing career started as a hobby when she was a teenager, writing poems and short stories. Eventually, she branched out and began constructing novels. When not contemplating new story ideas, she can be found traipsing around Texas State Parks, herding her cats, or reading a book.

Visit her website.

I thank the author for such a well-thought-out and interesting response!

For the full post, which was part of a blog tour sponsored by Goddess Fish, check out The Descendant.

Name your target audience

I’ve always struggled with others’ needs for me to define my target audience.

“Uh, people who like to think? Maybe people who are curious?” I told the woman in charge of placing my paperbacks in the local bookstore.

She gave me an eye roll. “I’m going put them in young adult,” she said.

Arrgghhh. So, when Merinda Johns described her book as “more than a romance novel” I was curious. Who did she see as her intended audience? I asked her and I love her response!

Writing for People Who Relish a Compelling Story

Yes,  Blackhorse Road is more than a romance, and there’s an unusual backstory about what propelled me to take an offramp from writing nonfiction, mostly textbooks, to authoring fiction.

After I retired from academia, I started my practice as a leadership coach and focused on helping women break the glass ceiling and fulfill their leadership and economic potential. During the past ten years, I transitioned from writing textbooks to motivational books on creating environments where people flourish through better leadership.

About three years ago, I was on a conference call with fellow life coaches, and we were discussing concepts of what makes a fulfilling life.  Bang! Like a thunderclap, I had an insight. What would it be like to help people understand the concepts of a flourishing life in a story instead of through a motivational book or text? After all, storytelling has been the most compelling form of communication for thousands of years. As far as I could recall, none of the great Profits fed up learning objectives and multiple-choice questions to their followers.  No!  They got their message across through stories.

Since I was ten-years-old, I had wanted to write fiction, but my professional career steered me in another direction.   Now, I saw an opportunity to follow the dream I had had as a child and write books that immersed readers in the human experience rather than writing about frameworks and theories.

Blackhorse Road is best characterized as women’s fiction—a story of a woman’s journey toward a fulfilled life. It is a story about how an ordinary woman tackles challenges, lives through sorrow and betrayal, struggles with self-doubt, and acts on her aspirations to achieve flourishing life.

Blackhorse Road blossoms from my imagination that is influenced by my experience, perspectives, and observations that give the story authenticity and sensitivity, helping readers connect with the characters and feel their joy, disappointment, sorrow, and happiness.

But Blackhorse Road has more—it is enriched by the backstories that set the context for the characters and events in the story—historical incidents, politics, economics, philosophy, religion, and psychology that influence the values of the characters and ultimately the consequences of their actions.  As Connor, one of the characters in Blackhorse Road says, “Time and place shape a person.” It’s the intermingling of these forces that creates a complicated explosion and tension within and among the characters.

Even though Blackhorse Road fits squarely into women’s fiction, it is a story that can appeal to everyone.  This realization came from two “ah-ha” moments that I had.

The first came during a virtual launch party for Blackhorse Road when an audience member asked the beta readers if the book would be appropriate for younger readers.  What prompted that question was the beta readers’ observation about how the lines of communication between Luci (the protagonist) and her father play a critical role in the formation of Luci’s values and belief system, and her grit to achieve autonomy.

In response to the question, one of the beta readers said that she had given the book to her seventeen-year-old granddaughter so that the two of them could read it together, and another beta reader shared that she was reading the book with her fourteen-year-old daughter.  The consensus among the beta readers was that the book was appropriate for teens fifteen and older—an insight we had not discussed at the original meeting of the beta readers seven months earlier!

Okay, I said to myself.  Blackhorse Road is for women readers fifteen years and older.

But then a  second ah-ha moment came roaring through like a tornado when I received a text from a fifties-something man.  “Just finished Blackhorse Road.  WOW!  Very powerful.  Made me cry!  Great job.  Let me know when you have a book signing event in my area.”

So, in the end, while Blackhorse Road has a lot of romance in it, it is more than a romance novel. Blackhorse Road is for anyone who relishes a compelling story about how ordinary people tackle challenges, live through love gained and loss and sorrow and betrayal, and who struggle with self-doubt, and act on their aspirations to achieve flourishing lives.

About Merinda Johns

Merida Johns takes her experience as an educator, consultant, and businesswoman and writes about the human experience. In 2018 Merida took an unlikely off-ramp from writing textbooks and motivational books to authoring women’s fiction. Her stories are learning lessons where awareness and curiosity transport readers to the most unexpected places within themselves.  Merida hails from Windsor, Ontario, Canada, grew up in Southern California and has lived from coast-to-coast in the United States.  Besides writing, she enjoys fabric arts, including weaving and knitting. She makes her home in the serene Midwest countryside that gives her the inspiration and space for storytelling.

Find her at:
Her website:  www.MeridaJohnsAuthor.com
Facebook: https://www.facebook.com/MeridaJohnsAuthor/
Goodreads: http://www.goodreads.com/meridajohns
Amazon: https://www.amazon.com/Merida-L.-Johns/e/B001IU2KBS
Bookshop: https://bookshop.org/shop/MeridaJohns
Buy Blackhorse Road on Amazon.

I thank Merinda Johns for such a well-thought-out and interesting response!

For the full post, which was part of a blog tour sponsored by Goddess Fish, check out Blackhorse Road.

Characters, Characters, Characters

Characters, Characters, Characters

In The Secret Spice Cafe Trilogy, Patricia Davis has woven a complex tale, spanning generations. I asked her what techniques she used to make sure her readers didn’t get lost in her large cast of characters. Here’s what she said.

To keep a reader turning pages in novels such as these, they have to be invested in the characters as much as they are in the story. With a large cast of characters, it’s always a challenge to make their voices distinguishable from one another.  In the case of Angela, Cynthia, Jane, Rohini, Sarita, and Cristiano, who are the main players in an even larger cast of characters, I had to consider the region of the world from which they each came, their ages, their sex, and even their life experiences.

How does that translate to the page? It’s simple enough to give a character description, a synopsis of all of the above for each. Simple, but boring.  I could have written, “Angela was a forty-five-year-old Italian-American from the east coast of the USA,” or I could show that by her actions, her thoughts and perceptions, her manner of speaking.  Each character was given “tells”—phrases they use routinely, motions they make, habits they have.

A reader could go through each novel with a highlighter if they wished, and find these things. Sharp eyes would notice that Rohini rarely, if ever, uses contractions when she speaks, for the reason that her English is careful and precise, as it’s her second language, and she learned how to speak it in her native India.  Cristiano, from Spain, will often sound more like he comes from Mexico. He explains that in the storyline. Sarita nibbles on her thumbnail when she gets nervous, Cynthia moves her hands way more than most, Jane sometimes uses expressions from her native northern England, such as “you lot” to mean, “you people,”  that a number of American readers unfamiliar with the lingo might think is a typo.

I got lucky—so lucky—on the audiobook narrator, Ann Marie Gideon. She loved the idea of all the accents, regions and ages so much, that she spent a lot of time with me, asking questions about each character. And she really nailed them. Her audiobook narration is the best I’ve heard.

Bottom line, writers worth their title research meticulously each character’s background, socio-economic level, life experiences, and take all of that into consideration when writing dialogue, and action.  I’m lucky to have met many people from many different parts of the world. That made it easier for me. I enjoyed writing them, as much as I enjoy hearing a reader say how ‘real’ the characters seemed to them.

They are real, as real as my imagination and pen could make them.

I thank Patricia Davis for such a well-thought-out and interesting response!

For the full post, which was part of a blog tour sponsored by Goddess Fish, check out The Secret Spice Cafe Trilogy.

A Hundred Lies

My Review

In A Hundred Lies, Jean M. Grant has created a likable hero in Rosalie, the fake fortune teller. She has placed her in a fascinating time and place, and done the research to make the setting come alive. Finally, she’s given her a thorny dilemma to vex her, and a threatening nemesis to chase her, so we all can hold our breath, hoping the best for her as we turn the pages. I enjoyed reading Rosalie’s adventures.

I wish I’d found the tortured nobleman who loves her to be as compelling, but I never quite did. He is an honorable man with a real talent for seeing the future, and I’m all for having feisty female leads attracted to someone interesting who isn’t a jerk. But he does spend a lot of time brooding about past mishaps and his relentless remorse gets a bit tiresome. Luckily, most of the rest of the cast, including his own mother and sister, and Rosalie’s aunt and uncle, keep things moving.

I appreciated the author’s ability to articulate this distant world, but she sometimes rambled through it a bit too slowly for my tastes. Some scenes cut in and out of past memories and included local facts in ways that reduced the punch of her narrative. That minor complaint aside, I enjoyed how well everything from knowledge of herbs to catty servant girls gave me the feel of being there.

I recommend this book to those who like their romance novels to have more to them than just a couple getting together, and I also recommend it to those who enjoy historical fantasy and wouldn’t mind a romance story as part of the package. Either way, I think readers will find a lot to like about this tale.

For more about this book, and the review tour this review was part of, see A Hundred Lies.

False Light

Review: False Light

Cover_False LightFalse Light is a fun read, enhanced with a dose of real-life art history and made more interesting by the endearing romance of its two main characters.

The plot contains the requisite amount of clues, twists, and suspense, along with the genre-required action-filled climax, so I suspect most lovers of crime novels will enjoy it. However, I found its real charm to lie in three unexpected joys.

The first comes from Riess’s background. I have, at best, a passing acquaintance and mild interest in art, but I am captivated when an author brings expertise to a story like this. Claudia Riess helps her readers learn about masterpieces, forgeries, and auctions, without ever dumping information. (She got me looking into real-life art forger Eric Hebborn, and I’m always delighted to be introduced to a too-strange-to-be-fiction character.)

Another surprise is the relationship between the two lovers at the heart of this tale. They’ve gotten past the first hurdle of commitment (apparently in the previous novel) and now struggle to figure out how to live with their promises. I found their relationship compelling, and suspenseful in its own right. I appreciate an author who acknowledges falling in love is easy compared to making love work.

What didn’t I like? While the writing is generally okay, the pacing lags on occasion, particularly early on. Some parts required a little too much attention and rereading to follow multiple characters and complicated plot lines. Yet, none of this was enough of a problem to keep me from enjoying the story.

Years back, during a difficult time, I devoured J.D. Robb’s novels about a futuristic detective and her billionaire husband, and I realized there is this wonderful escapism involved in reading about the very wealthy solving crimes. (At least as long as they are nice people, which these characters are.) That brings me to the third pleasant surprise of this novel. Though Riess’s characters are unique to her story, their life of sumptuousness provided me with that same gentle nepenthe while their adventures held my interest.

As this virus has wreaked havoc with life, I’ve found myself eating rum raisin ice cream. That sweet treat is getting me through a lot these days. Why do I mention it here? Because when I finished this book I thought I’m glad I read this. In a world filled with too much frozen broccoli and canned soup — this is a rum raisin ice cream kind of a book. I plan to check out the author’s other flavors.

About the Author

Claudia Riess, a Vassar graduate, has worked in the editorial departments of The New Yorker and Holt, Rinehart, and Winston and has edited several art history monographs.

 

 

For more about this book, and the review tour this review was part of, see False Light: An Art History Mystery

How much backstory should one provide?

Everyone loves a series, right? And … everyone wants to be able to read each book as if it were a stand-alone novel. True?

I struggled (a lot!) with this quandary in my 46. Ascending series, so when I got the chance to ask author R.W Buxton (who writes an urban fantasy/paranormal romance series) any question, I went right for his solution to this dilemma.

Here is his fascinating answer.

I read a lot of series. It seems that it’s the most popular format for authors to write these days. Honestly, when I started writing Capital Thirst, the first book, it wasn’t my intention of writing a series myself. But there was more story than I wanted to stuff into a single book so I did it, I started a series.

Backstory is always an issue, whether it’s the second or third book of a series or the first book. The trick is to get it in so the reader knows what’s going on, without boring them to death. I hope I could achieve that. I am reading the second book in a series by another author. I loved the first one, but in the second book the author will take paragraphs in the middle of action to cover the backstory from the first book. I tried not to do this. As a reader of the first book, I find I just skip this stuff and even if I hadn’t read the first book, I don’t need to know the details of what happened just that something did and it has an impact now.

When I wrote Beverly Hills Torture, I knew new readers wouldn’t know what happened in Capital Thirst but there are just key parts they needed to know. So if you read Beverly Hills Torture without reading Capital Thirst I tried to only include the key points that you need to know without retelling what happened in the first book.  This also means a lot of what was in Capital Thirst isn’t revealed. But I hope just enough for the reader to know why things are happening in Beverly Hills Torture.

Most of the backstory I tried to include in dialog or quick thoughts that Erin or Gerry have. There is a bit of explanation in the first chapter, but when you jump in right in the middle there has to be a brief explanation because the new reader knows nothing about the characters.

Writing a series is a progressive thing to undertake. In the first book, all you need to worry about is the backstory of the characters. In the second book, you have to worry about the character backstory and reintroducing it for new readers as well as including key elements of what happened in the first book. The third and fourth books are even more difficult to pick the details because there are a lot more of them and keeping them straight becomes more and more complicated. Not to mention deciding which ones are important and which aren’t.

It’s a balancing act, I hope I have enough, but if I erred, I would prefer to err on the side of not enough. If it’s not there, readers can make their own decisions or assumptions. If they’re curious, they can go back and read the first book. But I would rather do that than spend paragraphs writing about what happened that will bore readers that have read it and may or may not add something for the readers that have.

The facts about how Gerry became a “day walker,” and his relationship with Erin are all there. The rest, if I really felt it was important, is there.

I thank R.W Buxton for such a well-thought-out and interesting response!

For the full post, which was part of a blog tour sponsored by Goddess Fish, check out Beverly Hills Torture.

 

 

 

Review: The Duplex

In The Duplex, Lucky Stevens has written a story that both packs a punch and needs to be told.

I liked so many things about this book, including the way Stevens captures the fifties along with all its many ingrained biases. I enjoyed watching the tale evolve through the eyes of four protagonists, often seeing the same incident through different points of view. I appreciated how Stevens demonstrated the way prejudices against any group seep into the beliefs and self-images of those most adversely affected until they begin to doubt themselves. Sometimes it was painful to read, but, as I said, it’s a story worth telling.

In fact, I liked almost everything about this compelling tale. It moved quickly, and the voices rang true. I suppose one could complain that certain aspects of the two gay men, and two lesbian women, were too stereotypical, and they would have a point. I suppose others might struggle with four alternating first-person points of view, although I liked it.

Some might prefer a neater, more happily-ever-after ending for all, but I thought the ending worked fine. Without giving anything away I’ll just say things get messy but happiness is found, much like in real life.

I recommend this book to anyone, but especially those who like historical novels, are fascinated by the 1950s, or are fans of reading about Los Angeles. The novel may appeal to those in the LGBTQ+ community, but I have a special recommendation and this one comes from the heart.

I HIGHLY (caps intended) recommend this novel to those with close friends or family members who are LGBTQ. It’s an eye-opening look at the world they could be living in. I know it made me aware of the need for us all to be vigilant about preserving the basic human rights this group has had to fight so hard for. This novel is important food for thought for a caring community.

For more about this book, and the review tour this review was part of, see The Duplex.

When was the first blender created? It could matter.

I’ve been spending a lot of time learning about 1200’s as I craft my new historical fantasy series, The Seven Troublesome Sisters. I wonder if I’m overdoing the research.

So, when I got a chance to ask author A. Gavazzoni anything at all about her WWII action-mystery novel, Sketches of Life, I asked her how much of her time was spent on being historically accurate. Here is her fascinating answer.

The novel is set in an historical era, but it’s not really an historical novel. Still, I wanted to show my readers only the real facts, places, and events, so I had to spend a long time researching various facts, from simple things such as when the first blender was created, to more complicated topics such as the presence and actions of the Mob in New York City.

I hate when I read a book and the facts are completely phony. I feel betrayed by the author, so I wanted to write fiction but in a way that a person could read my novel and know for certain the events and settings were accurately described. Every scene is calculated to have a true-to-life background; I did extensive research on each place and the people who inhabited those areas during those times. I try to make certain every character acts, dresses, and thinks in accordance with the novel’s timeframe and setting.

It takes a long time to conduct research like that. I write at least one hour per day, and usually, the research consumes at least a third of that time, but in the end, I’m usually very happy with the results.

I thank the author for such a well-thought-out and interesting response!

For the full post, which was part of a blog tour sponsored by Goddess Fish, check out Sketches of Life.

Review: Hard Luck Girl

My Review:

In Hard Luck Girl, Topshee Johnston tells the story of a young prostitute who finds her drug-dealing pimp dead on page one. More importantly, he manages to keep the reader (or at least this reader) cheering for this unlikely hero as she deals with the body, the customers, the other girls, the rival dealers, the cops, the slimy hotel manager, the nosy cleaning lady and the real money behind the entire sordid mess. No small feat, Mr. Johnston. Well done.

I appreciated how this book contained enough description to make it seem as if I was there, riding on the ferry, or there, in the run-down lobby of the hotel, and yet it never bogged down. The initial characters were all believable and their actions made sense, giving the plot an urgency that felt like real life. Honestly, I had trouble putting it down.

The book stumbles when it nears the end, however. I don’t want to give anything away, so I’ll only say the major villains didn’t ring as true as the other characters, and their motivations remained murky to me even after the last page. Parts of the ending were confusing, and threads that mattered (to me at least) were left hanging.

Yet, it was a heck of ride up to that point.

Should You Buy Hard Luck Girl?

I recommend Hard Luck Girl to anyone who enjoys hard-boiled crime novels and to other mystery fans willing to be a bit morally flexible with their story’s hero. This book will also appeal to those who like novels about women finding inner strength they didn’t know they had, and to people who enjoy tales of the downtrodden triumphing over those with more advantages. That’s a pretty good market share, I think.

Check out the book on Amazon, Goodreads, Barnes and Noble, and Indigo/Chapters!

For more about this book, and the review tour this review was part of, see Hard Luck Girl.

 

Researching Drug Cartels and Illegal Border Crossings

Books need bad people. Bad people do bad things. But if you’re an author, and your bad people are doing things you don’t know much about, you have to do some research.

What poisons kill the quickest? How long does it take to die from a knife wound? How do you build a bomb?

I was researching the bomb thing for my book One of One, along with details about how well a commercial aircraft could withstand a blast, when I thought …. you know …. these internet searches could cause me some problems.

This is the second guest post in a series involving my asking other authors how apprehensive they are when they do the research to write about their bad guys’ behavior. In this case, I asked author Willard Thompson if researching drug cartels and illegal border crossings on the internet for his new book La Paloma caused him apprehension. Here is his fascinating answer:

Thanks, for asking one of the few pertinent questions of this VBT! Let me explain the story, it’s not exactly what you think, and it’s not exactly isn’t.

La Paloma is not a crime-heavy cartel story with lots of murders and bloody events. It is a story about Teresa Diaz facing the question of who she is, a daughter of Mexico’s proud history or a Latina trying to fit into American Culture? When the story opens, she is an AB540 scholarship student at UCLA, working for a degree in communications and dating a Caucasian boy.

When her father is deported in an ICE raid, Teri must go into Mexico to bring him home. She doesn’t have documentation, so it is a risk, but her family is falling apart and she feels compelled to go. Her journey into Mexico is like falling down a rabbit hole of mysterious events, but it also becomes a journey of self-realization that included a romance with the son of a cartel boss. In the end, many of her questions about her life are answered, some are left ambiguous and unanswered.

My interest, as it is in all my novels, is how a situation effects the people involved in it. In this case a 20-year-old Latina named Teresa Diaz. She is a young woman who has been brought up in many of the traditions of Mexico, living in a southern California community that is heavily Latino, trying to be an American girl. How can that possibly be good for her self-image?

I love Mexico. I’ve been there more than a dozen times, several on business. I know first-hand the beauty of the states of Michoacan and Guanajuato, and the country’s history. I spent 4 days working with the US Border Patrol as a journalist intercepting Mexican smugglers wading across the Rio Grande River from Juarez to El Paso. These were not dangerous men. They were middle age men trying to make a living to support their families.

I interviewed several of the smugglers we apprehended (that is a story for a different time because it was a cops and robbers comedy it you ever saw one) and one of them told me in Spanish, pointing at his running shoes that his daughters didn’t want to wear cheap shoes like he had on to school. They wanted Nikes and Adidas. That tells you a lot about the Mexican economy.

Some years back I became familiar with the fact that UCLA was giving free scholarships to undocumented aliens under a state law AB540. It led me to start thinking about the situation of a young Latina with no documentation trying to get an education in order to blend in to the American culture.

I didn’t do the trip with the Border Patrol to gather input for the novel, but it gave me all the input I needed when it came time to write it. This is not a gritty cartel crime story. In reality this is a coming of age story in which Teri must wrestle with and decide who she wants to be as an adult. In the next to last chapter she tells a new friend, “I just want to be proud of who I am.” The ending is ambiguous. Hopefully asking readers to think about what Teri will do; and maybe asking themselves what they would do.

More recently, our government has struggled with what to do about the DREAMers. The situation has been compounded by Congressional battle over immigration and building walls (we used to call then fences), and ICE raids that deport undocumented Mexicans, breaking up families. Finally, the situation with drug and crime cartels has come strongly into public awareness. So, all of this is great grist for a novelist.

Thanks for giving me the opportunity to write about my novel. Sure, it’s a suspense/romance with some gritty scenes but no cartel madness. I hope it might have some staying power in our current environment. Anything you can do to help that along I will greatly appreciate.

And I thank the author for such a well-thought-out and interesting response!

Review: R.I.P in Reykjavik

My Review

In R.I.P in Reykjavik, A.R. Kennedy has taken her idea of combining arm chair travel and cozy crime stories up a notch. This is a witty, fun and easy-to-read amateur sleuth novel that will once again have you turning the pages to cheer on its rookie crime solver. This time around, you’ll be enjoying the beauty and charm of Iceland while you do it.

Naomi acts more grown-up in this novel, and her previous amateur sleuthing in Africa has made her more competent at solving murders, too. It makes her a more likable sleuth. As a bonus, the reader gets new details about her dysfunctional family and I think this knowledge makes the whole series more appealing.

One of my favorite things about her writing is the ongoing humor. Enough sly wit was scattered throughout the story to keep me smiling, but I was laughing out loud near the end as Naomi made a video for her sister of the coming and goings in the hotel hallway. It’s worth reading the book just for that scene.

Deep twists and unexpected turns regarding the murder aren’t Kennedy’s MO, but once again we get an adequately complex cast of suspects, and a satisfying ending. I’ll take that any day.

Should You Buy Rock R.I.P in Reykjavik?

I recommend this book to anyone who likes cozy mysteries, amateur sleuth novels or travel.

Buy R.I.P in Reykjavik on Amazon or find it at Books2read.

For more about this book, and the review tour this review was part of, see R.I.P in Reykjavik.

(Check out my review of the author’s previous book Sleuth on Safari.)

 

The Difficulties of Writing About Time Travel

These is no tougher logical problem for a speculative fiction writer than to send characters forward, or backward through time.

I recently featured author Richard Hacker and his fantasy thriller Vengeance of Grimbald on one of my other blogs and I asked him to share his thoughts about the difficulties of writing about time travel. Here is his response:

VENGEANCE OF GRIMBALD, the second book in the Alchimeia series is a fantasy sci-fi novel with a unique take on time travel and alternate time continuums. Some writers have used the supernatural to transport characters through time, like Scrooge’s encounters with the ghosts of Christmas past, present, and future, in A CHRISTMAS CAROL. Another method allowing for time travel, especially in science fiction, involves space and time warps–usually a ship passing through a warp in the space time continuum or characters passing through portals from one time to the next. Stephen King employs the portal in 11.22.63. But the most common method to move characters through time requires a mechanism or machine. From H.G. Wells, THE TIME MACHINE to the much-loved DOCTOR WHO, these stories use some kind of machine to transport from one time to the next.

The Alchimeia series uses alchemy, a precursor to empirical chemistry, as the mechanism for movement through time. Combining an ink and an alloy in the nib, a fountain pen becomes the catalyst as inkers write themselves into past lives, leaving their bodies in the present. Unlike conventional time travel scenarios, the characters leave their bodies in the present—only their consciousness moves through time to inhabit a host. However, once an Inker is in a host’s body, time is not on their side. They are in danger of losing themselves to the mind of their host, becoming psychotic and then melding completely with the host, lost in time forever. In order to avoid such a fate, upon completion of the mission, they must die in order to break the link and return home.

Die Back allows me to blend genres of fantasy, science fiction, historical, and speculative fiction to tell a fast-paced, action filled story of characters struggling to save the time continuum and reality itself. As you might imagine, this mechanism for moving back through time also has its challenges. In a conventional time travel story, a character travels back in time. It’s fairly straight-forward keeping the character distinct from others in the scene. In the Alchimeia series, since the characters leave their bodies in the present and only their conscious minds go into the past, the most significant challenge is having a physical character, such as Franciso Pissaro but with the conscious mind of Addison Shaw. Rather than visiting the past as a foreign entity, the character becomes the past. You’ll notice the inking scenes shift to first person which I’ve done to make a distinction with the present and to create an immediacy. The reader experiences the inking scenes within the perspective of the inker.

I think technically one of the more difficult scenes involved a German soldier in a fox hole at the Battle of the Bulge. There were essentially two characters inside the mind of a third character. The German soldier, Grimbald, and Addision’s mother, Rebecca, who has been held captive by Grimbald. The dialogue needed to distinguish between the internal voices of Grimbald and Rebecca in the German soldiers head, as well as dialogue with the American soldier external to them. Here’s a little excerpt to give you a sense of what I’m talking about. We begin in Rebecca’s perspective.

I look to the boy soldier and our guard, but of course, they cannot hear our thoughts. “How could you force me to act against my son, Grimbald?” His real name is Cuthbert Grimbald, using the alias Kairos to keep him clear of League Inkers. “You promised if I helped you–”

I promised I wouldn’t take his consciousness. For all the good it did me.

“I could have killed him. My own son. Please, I’ll do anything you want, but please don’t ask me to hurt Addison.”

You sabotage me at every turn, Rebecca. If I didn’t need your knowledge of the League I would scatter your consciousness across time. By God, I’ll do it anyway!

“No! Please. I’m sorry. It’s just that when I saw him…it’s been so long. I–”

Think about it, Rebecca. Didn’t you see his eyes when he squeezed the trigger? The boy, knowing you were in Maya, blew out your brains! Trust me, you no longer hold a place in his heart.

“No! He still loves me, uh…. “

My mind…compresses…a fist closing around me to darkness.

“Please…stop.”

You continue to defy me?

“Please.”

I cannot breathe, I cannot think.

“Please…no…”

My mind goes to some dark corner. A desolate loneliness enfolds me. All senses closed off, no space, no time, no sensation. Nothing. Nothing. Noth…

He releases me. The world expands from a small, black hole, back to the Ardenne Forest. The boy still sits beside me in an almost fetal position. The icy cold air smells of pine and death.

For the full post, which was part of a blog tour sponsored by Goddess Fish, check out Vengeance of Grimbald.

Researching a Terrorist Plot

Books need bad people. Bad people do bad things. But if you’re an author, and your bad people are doing things you don’t know very much about, you have to do some research.

What poisons kill the quickest? How long does it take to die from a knife wound? How do you build a bomb?

I was researching the bomb thing for my book One of One, along with details about how well a commercial aircraft could withstand a blast, when I thought …. you know …. these internet searches could cause me some problems.

I recently featured author Bill Blodgett’s novel Love, Lies, and Bad Guys on one of my other blogs. His main characters are dealing with some serious terrorist threats to NYC and it got me curious. When he began writing his book, I suspected Mr. Blodgett didn’t know much more about how to blow up a subway system than I did about how to blow up a plane. How did he get his information?

Read on for his fascinating answer.

We’re you apprehensive when you did the research to write about terrorist threats?

At first I wasn’t. It seemed like researching any other book. I found out about the Native Americans, who were labeled Downwinders because they were exposed to nuclear fallout that was carried downwind after the tests of the atomic bombs in the 1940’s through the early 1960’s in Nevada. Many Downwinders developed various kinds of cancer due to the exposure. Then I contacted several leaders in the Native American community and asked for their input and they were very willing to share what information they had, especially after I told them my wife was part Native American. It was all very natural and a great learning experience.

Then I researched nuclear power plants near New York City, and it was again very natural. It’s then the research began to get serious. I researched the subway system of NYC looking for easy points of access. Then I looked into dirty bombs and what they were made from and how to make them. After that I researched how Homeland Security and other agencies monitored for possible terrorists. I had to create a world that would be believable to the reader, whether they were techno savvy or not. That led to the dark web and dark web browsers that would hide these would be terrorist’s identity and location. Then, of course, the research demanded that I look into Virtual Private Networks, VPN’s. VPN’s also hide your identity by masking where you are logged in from.

They say that curiosity killed the cat and I was beginning to be concerned that I was on that slippery slope, but I felt I needed to continue. I guessed the searches I was conduction on Google contained certain words that would be flagged by law enforcement and I was just waiting for Homeland Security to be at my doorstep any day! In a way it was kind of scary, even though I knew I wasn’t doing anything illegal, but I would have to explain and they’d probably seize my computer, freeze my bank accounts and put me on the “No Fly” list until the matter got settled in maybe five to ten years!!

I downloaded TOR, the most popular dark web browser, but didn’t bother to purchase a VPN from any of the popular venders that can be found online these days. The TOR browser is a dark web search engine much like Google, but it hides your identity and location by jumping for one “node” or location to another all around the world. This was all new to me. Interesting, but a little weird.

So after researching the use of TOR I went online and searched for random things and the lists of providers was immense and most were selling something illegal, from drugs to chat rooms about any subject you could ever dream of. At that point I figured that maybe I was in a gray area of legality and consorting with questionable characters from around the world. Yes, I was just lurking in those chatrooms, but I was still there! I knew I had enough knowledge about the Dark Web to write about it so I uninstalled TOR. Then I began to write Love, Lies, and Bad Guys!

For the full post about Love, Lies, and Bad Guys, which was part of a blog tour sponsored by Goddess Fish, check out Love, Lies, and Bad Guys.

Review: Sleuth on Safari

My Review:

In Sleuth on Safari, A.R. Kennedy has written a fun and easy-to-read amateur sleuth novel that will have you turning the pages to cheer on its rookie crime solver, all while enjoying the excitement of a safari.

I’ve been lucky enough to go on a trip similar to the one in the book* (without the murder, of course) and I can assure you Kennedy does a fine job of capturing the wild beauty of nature in sub-Sahara Africa as well as some of the less story-book aspects of such a trip.

She does it while presenting a likable sleuth, an adequately complex cast of suspects, and a satisfying ending.

My most significant complaints all occurred early on, when the two sisters in questions seemed more like they were squabbling preteens, not young women in their twenties. As other characters were introduced they came across as stereotypes. However, Kennedy was just getting started. Most of the safari guests became more complex as the trip went on, and the protagonist Naomi and her sister began to act their age after the first few chapters.

One the things I enjoyed most was the ongoing humor regarding the lack of internet access. Her description of other little things like the ubiquitous safari-themed decor, lavish meals and five a.m. game rides were all right on the mark, too. And anyone who has ever spent a night alone in the wilderness (yes, I have) will love reading about Naomi’s night alone in the tree house.

I recommend this book to those who like cozy mysteries, and to all who enjoy travel, whether they’ve been to Africa or not. This novel is a fine way to take a memorable armchair trip.

For more about this book, and the review tour this review was part of, see Sleuth on Safari.

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